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到莫斯科去(无注释版)
胡也频 试读
作品写一个小资产阶级新女性素裳,厌倦了百无聊赖的贵妇人生活,向往着有意义的人生。后来结识了革命者、共产党员施洵白,找到了光明的出路和美好的爱情。小说人物心理描写细腻,带有浪漫色彩,尤其是从素裳的心里变化反映出社会运动前进的步伐。在本书的序文中,胡也频强调创作应“抓住这斗争底时代的现实”,“深入于无产阶级的社会而经历他们的生活和体验他们的意识”,这些认识和主张在本书中得到实践。
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漂泊的记录(无注释版)
胡也频 试读
胡也频(1903—1931),原名胡崇轩,福建省福州人。是“左联”五烈士之一。作为革命作家的胡也频,具有多方面的创作才能,他不仅善于写诗歌、小说,也写戏剧和杂文。本书是他的短篇小说集。读他的作品,我们可以看到旧中国一切愚昧、落后、野蛮、残杀的社会生活图画。这些作品的可贵在于尖锐地提出并揭露了畸形社会中的严重问题,为旧中国的畸形面作了真实的写照。有反映帝国主义、封建主义对于中国人民的残酷的剥削和血腥的镇压的;有揭露封建宗法制度对于人们思想的毒害的;有揭露在帝国主义、封建主义统治下“国民性”的堕落的;还有从病态人物的变态心理去写出社会的畸形的等等。
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Utopia
Thomas More 试读
Robert M. Adams's celebrated translation of Utopia has been meticulously revised for the Second Edition of this Norton Critical Edition as have the accompanying annotations.Backgrounds is designed to assist student readers in an appreciation of Utopia by shedding light on the different points of view contemporary with More's work.Included are new selections from Saint Benedict and Tasso, as well as a medieval satire on the land of Cockayne.The Humanist Circle, a carefully chosen selection of letters, includes another important contribution by Erasmus.Criticism includes five new thought-provoking essays by Alistair Fox, Edward L. Surtz, G. R. Elton, Northrop Frye, and Robert M. Adams.Also new are selections from two modern anti-utopias or quasi-utopias—Aldous Huxley's Brave New World and B. F. Skinner's Walden Two—plus a selection from Edward Bellamy's once futuristic but now almost contemporary Looking Backward, which may be compared and contrasted with More's masterpiece.
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WOMEN IN LOVE
David Herbert Lawrence 试读
D.H. Lawrence's magnificent exploration of human sexuality in the days surrounding World War I. "Let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions," wrote D.H. Lawrence in "Women In Love, a masterpiece that heralded the erotic consciousness of the twentieth century. Echoing elements of Lawrence's own life, "Women In Love delves into the mysteries between men and women as two couples strive for love against a haunting backdrop of coal mines, factories, and a beleaguered working class.